Cintia Gargioni

Hortus Suspensus unfolds as a suspended field in which painting exceeds its pictorial condition to inhabit a spatial and tactile register. Through the integration of textile elements, the work operates at the threshold between surface and emergence, where matter, gesture and chromatic density articulate a speculative ecology.
Rather than describing botanical forms, Gargioni constructs a condition of appearance - a garden not yet fixed, but continuously forming, oscillating between memory, projection and material transformation.